Category Archives: Summer of Super Short Stories ’15

Summer of Super Short Stories 2, Week Seven

Welcome to week seven of our contest.

This week our judge is Kristen Falso-Capaldi, who wears many writing hats: Flashdog, screenplay writer, and novelist.

Below you will find a photo prompt and a line prompt. Use the picture to inspire you. The line prompt must be included somewhere in your story of 350 words or less. You can see a larger version of the picture by clicking on it. There are no content restrictions.

Submit your story or stories (up to two) in the reply section to this post no later than Saturday at 6pm PST. Please include word count and Twitter handle/email/other identifiers at the beginning of the story. Winners will be announced next Tuesday. Please see our Contest Rules for more information.


And here are your prompts!

Use this four-word phrase in any part of your story:

“death comes to everything”

birdgirl

Image credit: Nereid by Claire Elizabeth Flickr CC 2.0 
Image has not been altered from its original form.

 

Madame Doofay and the Six Sugar Candy Skulls by FE Clark

magic stone

“I see six be-jewelled skulls, atop six crystal pillars.”

I regard the seventh skull-shaped gummy chew, stuck on the top of my middle finger. Swivelling its grinning face round I flip the world the bird; waiting for Madame Doofay to reply.

“The skulls will speak to you of the way ahead.”

This dame is a bit off tangent.

The skulls were a gift from Jason, from the festival, I had not been invited. I had moped all weekend, delighted when he had turned up with the bag of sugared candy, soured only by talk of Felicity who had shared his adventures.

“The sixth has a message for you.”

I hold the telephone mouthpiece further away. Swallow. Skull six, yellow I think. It keeps its own counsel. I dip the seventh skull into my gin and tonic and watch the sugar fizz, then slurp.
“This is no laughing matter.”

“I’m….not…laughing.” A fizzle of gin and sugar goes down the wrong way. “I just want to know about Jason, that’s all.”

BEEP.

“Time’s up my dear, if you wish to pay for a second session please press the star key now.”
Coughing sour gin and sugar, I hit the star key.

BEEP.

“I am Madame Doofay, I scry my crystal-ball for you – what is it you wish to know?”

“It’s still me,” through the coughing.

“Me who dear?”

“…….. about Jason.” I fling myself onto the floor, head between my knees, choking.

“Ah, I see in my crystal-ball a proud young man, smiling at an amber-haired beauty.”

Felicity has amber hair, I bet she even bought the darn skulls.

I throw up the sugary mess, but something is still stuck and I retch.

“The crystal never lies, my dear. I see six pillars of crystal and six skulls – the sixth skull will tell you your truth.”

BEEP.

“Time’s up my dear, if you wish to pay for a second session please press the star key now.”
“HELP! Can’t…..breathe.”

I drop the phone. From where I lie I hear the BEEP, then, no more.

The yellow sixth skull melts away, mission accomplished.

Follow FE Clark on Twitter: @feclarkart

Week Six Winners!

The writing community certainly likes to make it difficult for judges to choose. Lovely job this week, everyone. This was tough!

Second Nature by Madilyn Quinn: I wonder whether the little girl is seeing ghosts or slipping through dimensions? Either way, this story was a fascinating and well-crafted look in her mind.

The First World by Voima Oy: A clever spin on the creation myth. Now I know it’s dragons I have to thank for Wi-Fi! I love the idea of being a dragon’s creation. The description of the dragons is lovely.

Alexander at Delphi by AV Laidlaw: The elements of Greek mythology are wonderful. This Alexander, much as the original who made his foolish demands, bit off more than he could chew. The spoiled child and the bitter Oracle are wonderful characters. The ending feels like a just punishment.

The Pillars by Ophelia Leong: Sympathy for the lonely Amy turns into what feels like a happy ending. Whatever lies beyond those pillars, I hope she’s in for some grand adventure. This was a lovely take.

Peacefulness Among the Poppies by Pattyann McCarthy: The glimpse into this character’s world. I felt her pain and her relief. The vivid imagery took me on a trip (ha, ha – I’m so clever…). That she is doing something dangerous and sacrificing her health for happiness…a true tragedy.

Crystal Reign by Mark A. King: I wanted Kyle to succeed but the story spirals with the downfall of addiction. Realistic and heartbreaking. I especially like this use of the pillars. Another story of addiction; something so compelling in a world full of stress. Great job.

Not Exactly Magical by Nancy Chenier: The guide is a fun narrator. The light-hearted tour dissolved quickly into something grim. The ending was a delightful thrill. Scary, effective, and shocking. Wonderful.

Crystal Nights by Mark A. King: Poor Crystal. Her reluctance to return to her other identity spoke volumes. Her over-the-top lipstick was delightful. I’m still imagining her glittering in the club. This story speaks to me for a variety of reasons, but mostly for the heartbreak that shouldn’t exist – but does. I hope Crystal finds her way.

Third Place: Three Pillars to the Wise by MT Decker: You had me from the opening line and I was fascinated to the finish. There is so much wisdom in this short story – hope, sadness, an emotional rollercoaster. For a moment I thought I understood the meaning of life. This one touched me in a way I didn’t expect.

Second Place: One Day by Steph Ellis: The twist at the end is hilarious. I’m not a parent, but I know some (and have) parents. I can imagine this solution would appeal to tired mothers and fathers everywhere. This grandmother strikes me as fun. I’d like to invite her to a party.

Thanks for the chuckle – I loved this.

AND OUR WEEK SIX WINNER IS:

Madame Doofay and the Six Sugar Candy Skulls by FE Clark: First of all, I love this title. I was expecting something silly and the mental image of gummy skulls fizzing in gin is deceptively innocent. I can’t decide if I like this main character, or if they are too jealous. Why did Jason offer her the skulls? Who is this Felicity? Was this her idea?

Has she won?

The sinister ending is a perfect wrap-up of the eerie atmosphere. There are so many layers to this story. Well done!

badgesss

Congratulations MT, Steph, and, FE! FE’s story will appear on our blog tomorrow. Thank you to Holly for judging and to all you wonderful writers for sharing your stories! Join us on Thursday for Week Seven, judged by the multi-talented Kristen Falso-Capaldi!

Week Seven Judge: Kristen Falso- Capaldi

Our judge for week seven is the lovely Kristen Falso-Capaldi, whose heartfelt stories capture realistic characters with deep emotions.

Kristen is the 2015 winner of the Victoria Hudson Emerging Writer Prize, and her story “The Absence of Cows” recently won first place in See the Elephant magazine’s New Voices Contest. Her fiction has also appeared in FlashDogs: An Anthology, Underground Voices magazine and on The Other Stories Podcast. She co-wrote a screenplay, Teachers: The Movie, which was an official selection for the 2014 Houston Comedy Film Festival. She is currently working on a novel. She lives in Rhode Island, USA.

You can follow Kristen on Twitter: @kristenafc

Summer of Super Short Stories 2, Week Six

Welcome to week six of our contest.

This week our judge is Holly Geely, the flashdog with all the funnies. Check out her upcoming release, The Dragon’s Toenail, a fantasy satire and more. It will be available on August, 30th 2015.

Below you will find a photo prompt and a line prompt. Use the picture to inspire you. The line prompt must be included somewhere in your story of 350 words or less. You can see a larger version of the picture by clicking on it. There are no content restrictions.

Submit your story or stories (up to two) in the reply section to this post no later than Saturday at 6pm PST. Please include word count and Twitter handle/email/other identifiers at the beginning of the story. Winners will be announced next Tuesday. Please see our Contest Rules for more information.


And here are your prompts!

Use this three-word phrase in any part of your story:

“six crystal pillars”

magic stone

Image credit: Untitled by Julian Povey Flickr CC 2.0 
Image has not been altered from its original form.

 

Returned by Steph Ellis

Anthropomorphic Roots

Breath congealed and misted as the family emerged above ground. They clung to each other as they snaked their way through rotting roots and twisted vines, every step shedding the weight of soil that had clung to them for generations. Hope for life flared as they inhaled long-forgotten odours, felt dusk’s gentle caress. But even as they travelled, each found themselves fighting against this creeping fear that they would not be chosen. Who did Granny Bo want?

Singing voices called to them, guiding them to the gathering, leading them to the living. They mingled unseen as the glittering fire gifted warmth and roasting meat awoke hunger.

Maryann’s long-closed eyes caught sight of a puppy wriggling in the arms of its young owner.

“Do you want the puppy, child?” asked Granny.

Maryann remembered the soft body and warm breath of her own little dog. She smiled. “Yes please.”

“Do you want to live above or below?” asked Granny.

Maryann remembered the blue skies and the scent of jasmine. “Above,” she whispered, her eyes still on the puppy, her head swimming as the tide of her past rushed back to her.

“Then, my child,” said Granny, “choose who you will.”

And Maryann whirled amongst them, unrecognised even by the Bokur. She moved closer to the small girl, nearer and nearer, her eyes never off the pet in her arms. With a giggle she sank into soft flesh, young bones, her new home; all hers.

Maryann cradled the furry bundle, felt the lick of its tongue on her face, the fragile cage of its ribs, its heart, the echo of the drums that pulsed around her. She was happy, oh so happy. She pulled the puppy closer to her. Tighter. Tighter. Felt a crack, a whimper. Someone else’s tear rolled down her cheek. Maryann laughed.

“Time now, child,” said Granny, as the drums began to ease, sending her companion souls back into the abyss. “Time for you to go and play.”

Maryann grinned into the darkness and ran into her new family’s arms.

Follow Steph on Twitter: @el_stevie

Week Five Winners!

Halloween starts early this year (my favorite holiday, so I’m completely okay with that). So much sinister spookiness this week. Nightmares seeping into waking, crawling bogs, sentient mists. First, thanks to Emily and Michael DelGuadio for the prompts, which combined couldn’t help but evoke the awful (awe-ful) and otherworldly. My short list was anything but. It was painful to choose a mere three for the winner’s circle.

Tried and Tested by David Shakes: One of two metas this week (and I loved them both—for very different reasons). I loved the two aborted attempts before crumpling the paper, the comparison with the giants of the genre, and the seeping of the author’s voice into Tammy’s journal writing. And even though I recognized (as the one of the characters did—ultimately the author POV did) that we were in cliché territory, the features were just different enough to catch me up and make me want to learn how the old bones and last fall’s journal entry match up.

The Bog by Madilyn Quinn: Wonderful reverse-take on witch hunts, where muggles would accuse the gossips of witchcraft. Here, the witch is the authority with the power to condemn those who displease her. You’ve illustrated so well how common folk allow themselves to fall under the spell and support the tyranny of a strong personality. Talia’s a vivid character. The line “her lavender lips pull into a grin” highlights her affectation. I admire the MC’s spunk in the face of that. Talia’s parting challenge make her all the more formidable—and make the MC’s threat seem empty (and yet gives the reader a glimmer of hope).

Ghost of the Fog by Pattyann McCarthy: Clever! This was so deliberately overwrought that I couldn’t wait to get to the punch-line (although for a panicked moment, I feared the use of phrases like “languishing treacherously inside” and “fear encapsulates every cell” might not be ironic). They say it takes a great writer to pull off intentionally “poor” writing. Or was that dancers? I think it works for all artists. The voice is pure B-movie—and the perfect set up for the reveal of the true situation.

In the Zone by Voima Oy: Intriguingly surreal take. Makes me wonder what could be on the other side of the border to make crossing the Zone worth it. The parallels to immigrants crossing treacherous land-/sea-scapes keeps this one grounded. Fantastic how the zone affects each character differently. Delicious phrases like “flowers followed us with their eyes” and “flashed with the fireflies” made me think that the some might come to the Zone simply for the experience.

Living Forest by A S Gardana: Very cool premise. I love stories where the reader is asked to sympathize with a different species. The ending leaves us wondering if she’s managed to actually make it or if she’s hallucinating as she sinks into the mud. What really impresses me about this piece is how you’ve crafted a story replete with sensation yet with the absence of sight! I had to go back and check—yep, “imagery” without visual referents. I like the idea of closing ones eyes to “see” better.

Aubergine by Holly Geely: If I could have given an honorable mention, this would have been it. A surreal cavort through the creepiness, elephants and eggplants welcome. You had me giggling from the first sentence and kept me chuckling all the way through (haunted port-a-potty! “Crikey!” Aubergine-ious!). I fell in love with the rattle-spider immediately. I wouldn’t have enjoyed this story so much if it weren’t for the snaky trace of the dream crossing into reality. Thank you for the hilarity.

Delicious by K M Zafari: Ooo, creepy! What could be more horrifying than unwillingly participating in one’s own demise? The description of the creature is compelling especially as the different pieces of the MC’s sense organs take their places in the ugly decay of the creature. Some of my favorite lines: “I can almost taste the decay as it moistens the remnants of its rotting lips with my tongue” and “my pink tongue rests inside the decomposing mossy mouth.”

My Time Has Come by Ophelia Leong: A sad transition of a forest Fae becoming a fish, in the tragic way magic passes away from the material world. It starts off with a wonderfully gruesome image. Setting up the trees as the rivals is a refreshing angle as is the Fae as a tooth-and-clawed predator—making it very hard for me to decide which side to (ahem) root for.

Mother’s Milk by Tim Stevenson: The last line chills—especially in light of the title. Yep, that gave me shivers. You don’t have to work too hard to convince me that the beauty industry is evil and probably deserves such a fate, so my being creeped-out mixes with a perverse satisfaction. Clever incorporation of the “creeping fear” phrase. Loved the pervasive rose imagery (the symbolic contrast of the wilting ones and the thorns of the creation) and the organic description of the creation (at once strange and lovely).

The Canopy by Mark A. King: I love the message of this one–finding light in the darkness–and that Callum is the catalyst for that discovery. We don’t know how the MC lost his parents, and we don’t have to. It’s enough that the loss has kept the MC in the shrouded world below the canopy. The imagery is sublime. The treatment of fear as a companion to mortality is brilliant. Then Callum is born and the MC’s focus starts to creep upward. By the way, “cinereal” is my new favorite word.

The Dreamer by Foy S. Iver: Starts out whimsical, (loved “scolaughed and jeettered” so much!). Poor little Root. I was (erm—here I go again) rooting for him, but, alas, he meets a common arboreal fate. I adored the description of the alien, who very well might have been a moon fairy. Cool concept that “hope” of a tree can be used as fuel.

Going Underground by Mark A. King: Here’s one I want to give a special mention to. After two letters, I went straight to Wiki to confirm that these were all stations. Sure enough. My favorite part is the Underground likened to the roots of the city. The structure puts me in mind of the song “88 Lines about 44 Women” by The Nails (dating myself here): each line brief but gives us a real bit of the place. And the POV character dozes off before the last stop.

Blink by Sonya: A dream-messing-with-reality piece that managed to deliver a startling punch in a mere 100 words. I laughed out loud at the “movie I didn’t understand” reference to Inception. The final line got me, though. I’m completely chilled imagining what a hundred eyes blinking must sound like.

Isle of Roots by Catherine Connolly: This one lulled me with the siren song of its gorgeous language. I think this one contains the line that precisely describes the subject and atmosphere of the image, a poetically twisted sentence that just nails it: “The tree itself lies amidst a heart of knotted roots for those who swim tear salt tides to it, casting themselves towards the child-like keening reaching from the boughs into the ocean”. I got so tangled in the wonderful knots of phrases, I felt like pilgrim gripped in its clutches. My favorite: “Truth takes chances in the speaking”.

Whispers by M T Decker: Ha! A quick atmospheric whisper of a piece with a snappy twist. I love how we never really know what the first choice was that has brought the “we” to this state. Clever.

Sensing by Marie Mckay: Imaginative treatment, directly addressing the creeping fear as “you”, picking out facets of its character. We start in familiar territory, the spookiness of fear (blind birds, forked hands of tress). Then, fear becomes a predator. Finally, we’re left with fear being a goading motivator. And in so few words!

The Project by A J Walker: The cross-purposes are set up so well and with such economy. There is a definite beginning, middle and end of a full-fledged story, here. You lead the reader to want both Elizabeth and Mr. Martin to succeed in their goals: she to understand him and he to prove the truth of his visions. By the end, though, I realize that I’ve been set up in a be-careful-what-you-wish-for way. She does understand, and the truth of his “bad men” (that they’re hallucinations) comes to light in the most tragic way. I’m in awe of the seemingly effortless way the POV shifts from Elizabeth to Martin and then out to objective. It worked perfectly—and another example of knowing the rules (one POV per scene) and then breaking them as the situation demands. The situation does demand since the smooth shifts are the most effective way to tell this story.

Meta’d Out by David Shakes: The second of two meta-fictions, and yeah, I so very much feel for the voice here, fictionalized or not. Most of us have been there (at least twice a week). The deadly voice of doubt undermining the “just do it and enjoy” that has built up a passion for writing in the first place, the fear of not being able to do justice to a beautiful prompt, diminishing returns on novelty—yeah, yeah and more yeah. Loved the repetition of the creeping fear sentence.

Moving by Anita Harkness: Sweet! The entwining horror and lust reveals the elements that compel us regarding the awful/awe-ful. Exquisite comparison between arid Arizona and the Lovecraftian realm of Rhode Island. Thanks to Lovecraft, New England is the place where fear and passion meet. Love the echoes of the H.P. universe in details like “the oldest ones” and the mysterious swamp with things moving under the surface. A lot of great writing in here: “Here, whatever dies decays. It sinks into a sludge of terrifying possibilities” I also enjoy the take on “kindred spirits”—stripping all the rainbows and “woo” from the concept. Yes, these two are perfect for each other. May they live paranormally ever after.

Third Place: No Butterfly Wings by F E Clark: Oh, so painful and beautiful. You capture the frustration and agony of struggling to live with a pervasive yet inexplicable illness. The isolation, the loss of self, the unsung courage—and all in such incredible language. Phrases like “Tongue fumbling attempts at describing the hundred different intermittent symptoms” and “Crawling through the shattered glass of dependence, a creature half gone” and the comparison of self and friends “falling away” like autumn leaves eloquently illustrate the trials of disease. The breaking of the chrysalis to release not a butterfly but a partial morphed thing is as heartbreaking as it is heroic, leaving us with a sliver of hope that this will indeed be a new start.

Second Place: The Things That Live Here by A V Laidlaw: The first sentence pulls me right into the mystery, a mystery that casts a shadow over the intimate moment between mother and son. Loved how you set up the metaphor to take care of the photo prompt early on—but then it turns out that the metaphor is not merely fancy imagery. All the figurative language is just perfect—they never merely describe the physical reality of the thing described, but they also drop hints of the essence of the thing. The description of the father is a clear example of this (“laugh as solid as oakwood” and “scented of the rich earth”). The smallest details speak volumes: a stubborn cowlick, the iron key used to lock up. The slow pursuit of the trees coming after the boy is an excellent reason for “creeping fear”.

AND OUR WEEK FIVE WINNER IS:

Returned by Steph Ellis: So sinister, chilling, creepy—and that it stood out from the marshlands of exquisite creepiness this week is really a testament to the writing, here. From the imagery of the opening—perfectly reflecting the hauntingly evocative photo–to the ominous dramatic irony in the final image (a child running to join her parents), this one won me over. The double conflict between the hopefuls and Granny, between the living and the returned, layers the tension. As do the options Granny gives (What if Maryann chose “below”???) and the swirl of Maryann’s past swamping the present. The moment of taking over is a devastating swirl of sweet and awful. That poor puppy! Killing small animals might be in danger of becoming cliché in horror, but every once in awhile it wells up like fresh blood—as it does here, precisely because it’s incidental to the already established eeriness of the family and the take-over. The pair of sentences, “Someone else’s tear rolled down her cheek. Maryann laughed,” torture me: evil innocence shredding my sympathies to bits.

badgesss

Congratulations FE, AV, and Steph! Steph’s story will appear on our blog tomorrow. Thank you to Nancy for judging and to all you wonderful writers for sharing your stories! Join us on Thursday for Week Six, judged by the incomparable Holly Geely!